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​The cultural event Nulpunt (Point Zero), in 2011 invited dance maker Aafke de Jong, pianist/composer Michiel Braam (ArtEZ) and visual artist Gerrit van Middelkoop to create a site specific performance together.

Four young, recently graduated dancers from ArtEZ Dance Academy (Arnhem) - al from a very diverse background - and a piano on a floor of river clay; these are the ingredients of this location performance, situated at the shores of the river IJssel.

'Wherever you go, you always take something of your home soil with you'

Inspired by the characteristics of the material that is available at the shores of the river nearby the railway bridge from the city of Arnhem to Westervoort, like the plasticity of clay, the impermeability of stone and the volatility of water, the artists tell their version of how it feels to move away from your home land. No matter where you are or where you are going, you will always take something of your home soil with you. And litereally a lot of ground was moved during this performance.

The performance begins with the dancers digging up something of themselves from out of the river clay and ends with a scene that perhaps reflects a sort of burrial ceremony with little statues made out of that same clay.

No contrast could be bigger than the vulnarability of the bodies of the dancers - all having a different cultural background (Vietnam, Germany, Poland and Israel) - 

and the roughness of the natural environment and that of the ambitious technique above them, the railway, that is in use during the performance and that causes unexpected moments for the dancers and pianist.

Is it possible to stop time for a moment and realise that we in fact are all the same? Together alone, alone together...

Concept & choreography Aafke de Jong  

Music Michiel Braam 

Stage setting Gerrit van Middelkoop/Aafke de Jong  

Dance Patrick Radu, Ornella Marchwichka, 

Eilit Marom, Jason Gwen  

Poetry & voiceover H.H ter Balkt 

Our special thanks to Festival Nulpunt, ArtEZ, 

Gemeente Arnhem, Rabobank, Wijnen & Van Oostrom and Dekker & Van de Kamp

IN THE BEGINNING THERE WAS

a performance with dance, live music, poetry and visual art on the shores of the river IJssel

A specific site

In The Beginning There Was was meant as a site specific performance, but as also performed in the concert hall of ArtEZ Conservatory during the Vetruvius Lectures about 'healing rhythms in music and architecture'. A very different environment, where the clay from the river was brought into the concert hall instead of the other way around, perhaps adding to the essence of the performance a whole new perspective.

ArtEZ Conservatory - Concert Hall

“While the dancers find their way up from the humps of clay that were brought to the festival space especially for this performance, visual artist Gerrit van Middelkoop is making small building-like figures out of that same river clay. Who knows the meaning of it all? But it is here that your hart opens.”

Excerpt translated into English from:

De Gelderlander – October 3rd, 2011